Can Dream be a Source of Creativity?: CHAPTER VII - PERSONAL INTERVIEWS AND QUESTIONNAIRES

August 12, 2010

CHAPTER VII - PERSONAL INTERVIEWS AND QUESTIONNAIRES

7.1 Personal Interviews.

Brenda Ferrimani began her artistic work in the 1980’s as a graphic designer, operating her own design firm with clients throughout the state of Colorado, where she resides. During this time she also became known in the area for the historic murals she painted with private and public commissions, and for her work as President of the Berthoud Arts and Humanities Alliance, lending her support to other Colorado artists. (to continue)

7.2 Questionnaires.

During the period between September and November, I sent out a total of 70 questionnaires to artists and graphic, web, product, interior designers and graphic design students, from different countries. These people are from Hong Kong, Japan, Sweden, United States, Australia, the United Kingdom and others. The results of the questionnaires are below: (to continue)

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REFERENCES

INTRODUCTION
1. Hala Gorani, CNN Host, Interview with Dr. Deirdre Barrett, Ph.D., "The World of Dreams", Insight on the News, December 2005.

2. Allan Hobson, Dreaming: An Introduction to the Science of Sleep, (USA: Oxford University Press, 2003).

CHAPTER I - UNDERSTANDING DREAM
(1.1 What is Dream?)
1. Montague Ullman, M.D., "Exceptional Human Experiences" conference held in New York City, June 13, 1993.

2. Sigmund Freud, The Interpretation of Dreams, translated by Lao Kai Ian (Taiwan: Farseeing Publishing Organization, 2003).

3. Allan Hobson, Dreaming: An Introduction to the Science of Sleep, (USA: Oxford University Press, 2003).

(1.2 How are Dreams Formed?)
1. Tore A. Nielson and Philippe Stenstrom, "What are the memory sources of dreaming?", Nature Publishing Group, October 2005.

2. Allan Hobson, Dreaming: An Introduction to the Science of Sleep, (USA: Oxford University Press, 2003).

3. Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Dreams for Creative Problem-Solving - and How You Can Too, (New York: Crown Publishers, 2001), 136.

CHAPTER II - UNDERSTANDING CREATIVITY
(2.1 What is Creativity?)
1. Albert, R.S. & Runce, M.A., "A History of Research on Creativity", ed. Stemberg, R.J. Handbook of Creativity. Cambridge University Press 1999.

2. Michael J. Hurd, "The Creativity-knowledge Dichotomy", Capitalism Magazine, 2001.

CHAPTER III - DREAM IS CONNECTED TO CREATIVITY
1. Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Dreams for Creative Problem-Solving - and How You Can Too, (New York: Crown Publishers, 2001), 184.

2. Sigmund Freud, The Interpretation of Dreams, (New York: Barnes & Noble, 1994).

3. Stanley Krippner, Fariba Bogzaran, Andre Percia de Carvalho, Extraordinary Dreams and How to Work With Them, (New York: State University of New York Press, 2002).

4. Joseph L. Flanders, "Creativity and Emotion: Reformulating the Romantic Theory of Art", Mcgill University, Department of Psychology.

5. Fred Balzac, "Exploring the Brain's Role in Creativity", Neuropsychiatry Reviews Vol. 7 N. 5, 2006.

6. Sigmund Freud, The Interpretation of Dreams, (New York: Barnes & Noble, 1994), Chapter 6 (part 4).

7. Eric Baum, What is Thought, Chapter Two: The Mind is a Computer Program, (Mass: MIT Press, 2004).

CHAPTER IV - EVIDENCE FOUND ON DREAM INSPIRES HUMAN CREATIVITY
(4.1 Prehistoric Period.)
1. Thomas Heyd and John Clegg, eds. Aesthetics and Rock Art., (USA: Ashgate Publishing, 2005).

2. French Ministry of Culture, “The Caves of Lascaux”, (www.culture.gouv.fr/culture/arcnat/lascaux/en/).

3. Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Dreams for Creative Problem-Solving – and How You Can Too, (New York: Crown Publishers, 2001), 2.

(4.2 Surrealism.)
1. Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Dreams for Creative Problem-Solving – and How You Can Too, (New York: Crown Publishers, 2001), 2.

2. André Breton, Manifesto of Surrealism, in Manifestos of Surrealism, translated by Richard Seaver and Helen Land (Ann Arbor: University of Michigan Press, 1969).

3. http://www.encyclopedia.com/html/s1/surreali.asp

4. Salvador Dalí, Fifty Secrets of Magic Craftsmanship, translated by Haakon Chevalier (New York: Dover, 1992).

(4.3 Other Inspirations of Dreams.)
1. Alan R. Solomon, Jasper Johns Exhibit Catalogue (New York: The Jewish Museum, 1964), 6.

2. Yve-Alain Bois, Ellsworth Kelly: The Early Drawings: Kelly’s Trouvailles, Findings in France (Cambridge, Mass.: Harvard Museums, 1999).

3. Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Dreams for Creative Problem-Solving – and How You Can Too, (New York: Crown Publishers, 2001), 17.

4. Jean Pierre Jouve and Claude Prevost, Le Palais ideal du facteur Cheval (Paris: Covis Prevost Editions du Moniteur, 1981).

5. As quoted in Havelock Ellis, The World of Dreams (Boston: Houghton Mifflin, 1911), p. 276.

6. Deirdre Barrett, The Committee of Sleep: How Artists, Scientists, and Athletes Use Dreams for Creative Problem-Solving – and How You Can Too, (New York: Crown Publishers, 2001), 67

7. Patricia Garfield, Creative Dreaming, (New York: Ballantine Books, 1976).

CHAPTER V - DOES CREATIVE/INSPIRED DREAM OCCURS IN EVERYBODY'S DREAM?
1. Patricia Garfield, Creative Dreaming, (New York: Ballantine Books, 1976).

2. Allan Hobson, Dreaming: An Introduction to the Science of Sleep, (USA: Oxford University Press, 2003).

CHAPTER VI - TECHNIQUES TO DEVELOP DREAMS (FOR CREATIVITY)
(6.1 Dream Incubation.)
1. Patricia Garfield, Creative Dreaming, (New York: Ballantine Books, 1976).

(6.2 Keep a Dream Journal.)

(6.3 Evaluating Your Dreams.)

CHAPTER VII - PERSONAL INTERVIEWS AND QUESTIONNAIRES
(7.1 Personal Interviews.)

(7.2 Questionnaires.)

CHAPTER VIII - EXPERIMENTS

CHAPTER IX - APPLICATION AND CONCLUSION

August 12, 2010

CHAPTER VII - PERSONAL INTERVIEWS AND QUESTIONNAIRES

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